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Patricia Piccinini
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‘Sunrise Glade’, ‘Shoeform (Sprout)’, ‘Shoeform (Angiosperm)’, ‘Supernova’, ‘Sapling’, ‘Shoeform (Ovaries)’, ‘Reflected Sky’, ‘Shoeform (Tresses)’
‘Sapling’, ‘Reflected Sky’
‘Shoeform (Ovaries)’, ‘Reflected Sky’, ‘Sapling’, ‘Shoeform (Tresses)’, ‘Shoeform (Sprout)’, ‘Shoeform (Angiosperm)’, ‘Sunrise Glade’
‘Shoeform (Sprout)’, ‘Supernova’, ‘Sapling’, ‘Shoeform (Ovaries)’
‘Sunrise Glade’, ‘Shoeform (Sprout)’, ‘Shoeform (Angiosperm)’, ‘Supernova’, ‘Sapling’, ‘Shoeform (Ovaries)’, ‘The Dreamer’
‘The Dreamer’
‘Shoeform (Tresses)’, ‘Sapling’, ‘Shoeform (Angiosperm)’, ‘Sunrise Glade’, ‘Shoeform (Sprout)’
‘Shoeform (Angiosperm)’, ‘Sunrise Glade’, ‘Shoeform (Sprout)’
‘Sunrise Glade’
‘Supernova’
‘Supernova’, ‘Shoeform (Ovaries)’
‘Supernova’, ‘Sapling’, ‘Shoeform (Ovaries)’
‘Entwined Affection)’, ‘Inseparable (Fairy Wren)’, ‘Inseparable (Barn Owl)’, ‘Inseparable (Welcome Swallow)’, ‘Inseparable (Nankeen Kestrel)’
‘Entwined Affection’, ‘Inseparable (Fairy Wren)’
‘Inseparable (Barn Owl)’, ‘Inseparable (Welcome Swallow)’, ‘Inseparable (Nankeen Kestrel)’
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“The Gardener’s Eye” at Roslyn Oxley9 Gallery, Sydney, Australia, 2020
