Patricia Piccinini
Patricia Piccinini was born in Sierra Leone and lives in Australia. Her work encompasses sculpture, photography, video and drawing and her practice examines the increasingly nebulous boundary between the artificial and the natural as it appears in contemporary culture and ideas. Her surreal drawings, hybrid animals and vehicular creatures question the way that contemporary technology and culture changes our understanding of what it means to be human and wonders at our relationships with – and responsibilities towards – that which we create. While ethics are central, her approach is ambiguous and questioning rather than moralistic and didactic.
“My practice is focused on bodies and relationships; the relationships between people and other creatures, between people and our bodies, between creatures and the environment, between the artificial and the natural. I am particularly interested in the way that the everyday realities of the world around us change these relations. Perhaps because of this, many have looked at my practice in terms of science and technology, however, for me it is just as informed by Surrealism and mythology. My work aims to shift the way that people look at the world around them and question their assumptions about the relationships they have with the world.”
Patricia Piccinini
In 2003 her exhibition We Are Family represented Australia at the 50th Venice Biennale before touring to the Hara Museum, Tokyo (JPN) and the Bendigo Art Gallery, (AUS). Her solo museum survey exhibitions ComCiência at CCBB toured to São Paulo, Brasília, Rio De Janeiro and Belo Horizonte in Brazil and was named the most popular contemporary art exhibition in 2016 by The Art Newspaper. Other solo museum exhibitions include Curious Affection at QAGOMA in Brisbane, En Kaerlig Verden at Arken in Copenhagen, Relativity at the Galway International Art Festival, Hold Me Close To Your Heart at Arter Space For Art, Istanbul, Once Upon a Time, Art Gallery of South Australia, Relativity at the Art Gallery of Western Australia, Evolution at the Tasmanian Museum and Art Gallery, (tiernas) Criaturas/(tender) Creatures at Artium, Vitoria-Gasteiz (Spain), Hug: Recent Works by Patricia Piccinini at the Frye Museum, Seattle, and Des Moines Art Centre, Des Moines (USA), In Another Life at the Wellington City Gallery, Wellington (NZ), Call of the Wild at MCA, Sydney and Retrospectology at ACCA, Melbourne. Since The Shadows Calling at Detached (Hobart) in 2015, Patricia has installed a number of major exhibitions in non-traditional spaces including Curious Imaginings at the Patricia Hotel in Vancouver and A Miracle Constantly Repeated in the Flinders Street Station Ballroom in Melbourne on 2021. Patricia was also represented in the 2nd Asian Art Biennale (Taipei 2009), Bienal de La Habana (Cuba 2003), Sydney Biennale (Australia 2002), Liverpool Biennale (UK 2002), Berlin Biennale (Germany 2001) and Gwangju Biennale (Korea 2000). Her work has been included in included in The Coming World at Garage MCA, Moscow (Russia 2019), XXII Triennale di Milano, Broken Nature, Milan, (Italy 2019), Melbourne Now at the NGV, Melbourne (Australia 2013), Medicine and Art and Future and the Arts at Mori Art Museum, Tokyo (Japan 2009), Wonderland at KadE Amersfoot (Netherlands, 2009), Global Feminisms at the Brooklyn Museum, New York (USA 2007), Uneasy Nature at the Weatherspoon Art Museum, Greensboro (USA 2006), Becoming Animal at MASS MoCA, North Adams (USA 2005) and Face Up at the Hamburger Bahnhof, Berlin (Germany 2003). In 2013 she was commissioned by the Centenary of Canberra to create The Skywhale, which was joined in 2020 by Skywhalepapa.
Patricia Piccinini received a BFA from the Victorian College of the Arts, Melbourne in 1991. In 1994 she initiated The Basement Project Gallery in Melbourne, which she coordinated until 1996. She is represented by Tolarno Galleries, Melbourne, Roslyn Oxley9 Gallery, Sydney. In 2014 she was awarded the Melbourne Art Foundation Visual Arts Award. In 2016 she was awarded a Doctor of Visual and Performing Arts (Honora Causa) from the Victorian College of the Arts and appointed as Enterprise Professor at the Victorian College of the Arts, University of Melbourne. Her studio and home are on Wurundjeri country in Naarm (Melbourne), Australia.
1965
Born Freetown, Sierra Leone
1985-88
Bachelor of Arts (Economic History), Australian National University
1989-91
Bachelor of Arts (Painting), Victorian College of the Arts
1994-96
Coordinator, The Basement Project Gallery
2016
Doctor of Visual and Performing Arts (honoris causa), University of Melbourne
2017-22
Enterprise Professor of Art, Victorian College of the Arts, University of Melbourne
Selected Solo Exhibitions
2022
We Are Connected, Art Science Museum, Singapore, Singapore
2021
A Miracle Constantly Repeating, Flinders St Station Ballroom, Melbourne, Australia
Jestesmy, Centre for Contemporary Art, Torun, Poland
Breathblooms and Lighthavens, Tolarno Galleries, Melbourne, Australia
The Awakening, Hosfelt Gallery, San Francisco, Australia
Every Heart Sings (The Skywhales), National Gallery of Australia, Canberra/Australia wide, Australia
Patricia Piccinini: Kindred, Cromwell Place, London, England
ALPHA60, Hugs, Heide Museum of Modern Art, Bulleen, Australia
Patricia Piccinini, Scott Lawrie Gallery, Auckland, New Zealand
The Instruments of Life, Kai Art Center, Tallinn, Estonia
Curious Affection on tour, NorthSite, Bulmba-ja Arts Centre, Cairns, Australia
2020
Between the Shadow and the Soul, Helsinki Taidehalli, Helsinki, Finland
The Gardeners Eye, Roslyn Oxley9 Gallery, Sydney, Australia
Curious Affection on tour, Artspace Mackay, Mackay, Australia
Omfamna Framtiden, Boras Museum of Art, Boras, Sweden
Chromatic Balance, Tolarno Galleries, Melbourne, Australia
2019
Life Clings Closest, Cairns Art Gallery, Cairns, Australia
En Kaerlig Verden, Arken Museum, Copenhagen, Denmark
2018
Curious Affection, Gallery of Modern Art, Brisbane, Australia
Curious Imaginings, Vancouver Biennale at the Patricia Hotel, Vancouver, Canada
Patricia Piccinini and Joy Hester: Through Love, TarraWarra Museum of Art, Healesville, Australia
The Field (Project), Sydney Contemporary Artfair, Sydney, Australia
Patricia Piccinini, Hosfelt Gallery, San Francisco, USA
Consciousness, Kibla Portal, Kibla, Slovenia
2017
The Struggle and the Dawn, Roslyn Oxley9 Gallery, Sydney, Australia
No fear unmingled with hope, Tolarno Galleries, Melbourne, Australia
ComSciencia, CCBB Rio De Janiero, Rio De Janiero, Brazil
2016
ComSciencia, CCBB Belo Horizonte, Belo Horizonte, Brazil
Alone With The Gods, Greenaway Art Gallery, Adelaide, Australia
We feel, conceive or reason, laugh or weep, Hosfelt Gallery, San Francisco, USA
ComSciencia, CCBB Brasilia, Brasilia, Brazil
Patricia Piccinini: Bodyscape, Yu-Hsiu Museum of Art, Caotun, Taiwan
Piccinini at Hosfelt, Artinternational, Istanbul, Turkey
2015
ComSciencia, CCBB Sao Paulo, Sao Paulo, Brazil
Another Life, University of Quebec Art Museum, Montreal, Canada
Relativity, Galway International Arts Festival Gallery, Galway, Ireland
The Shadows Calling, Dark Mofo / Mercury Building, Hobart, Australia
And colour is their flesh, Tolarno Galleries, Melbourne, Australia
Like Us, Newcastle Art Gallery, Newcastle, Australia
2014
The Touch of Another, Warrnambool Art Gallery, Warrnambool, Australia
Skywhale, Splendour in the Grass, Byron Bay, Australia
Structures of Support, Canberra Museum and Gallery, Canberra, Australia
2013
I have spread my dreams under your feet, Roslyn Oxley9 Gallery, Sydney, Australia
Kaunas Biennial Unitext, NGO Kaunas Biennial, Kaunas, Lithuania
Skywhale, Canberra Centenary, Dark Mofo, Canberra, Hobart, , Australia
Those who dream by night, Haunch of Venison, London, UK
2012
There are no strangers, Tolarno Galleries, Melbourne, Australia
The Welcome Guest, Conner Contemporary Art, Washington DC, USA
Hold Me Close To Your Heart, Arter Space For Art, Istanbul, Turkey
2011
Once Apon a Time, Art Gallery of South Australia, Adelaide, Australia
The Welcome Guest, Conner Contemporary Art, Washington, USA
The Fitzroy Series, Centre for Contemporary Photography, Melbourne, Australia
Hold Me Close to Your Heart, Arter Space For Art, Istanbul, Turkey
Once Apon a Time, Art Gallery of South Australia, Adelaide, Australia
2010
Beyond Our Kin, Roslyn Oxley9 Gallery, Sydney, Australia
Relativity, Art Gallery of Western Australia, Perth, Australia
Patricia Piccinini, Leeahn Gallery, Daegu and Seoul, Korea
2009
Unforced Intimacies, Tolarno Galleries, Melbourne, Australia
Recent Work, Byblos Art Gallery, Verona, Italy
Evolution, Tasmanian Museum and Art Gallery, Hobart, Australia
2008
The Wellspring, Tolarno Galleries, Melbourne, Australia
Related Individuals, Roslyn Oxley9 Gallery, Sydney, Australia
The Place Where It Actually Happens, Yvon Lambert, New York, USA
Piccinini, Perc Tucker Regional Gallery, Townsville, Australia
2007
(tiernas) Criaturas/(tender) Creatures, Artium, Vitoria-Gasteiz, Spain
Hug: Recent Works by Patricia Piccinini, Frye Museum, Seattle, USA
Double Love Knot, Lismore Regional Gallery, Lismore, Australia
Recent Work, Roger Williams Gallery, Auckland, New Zealand
Hug: Recent Works by Patricia Piccinini, Des Moines Art Center, Des Moines, USA
2006
In Another Life, Wellington City Gallery, Wellington, New Zealand
Recent Drawings, Roslyn Oxley9 Gallery, Sydney, Australia
Life Cycle, Tolarno Galleries, Melbourne, Australia
2005
Unbreaking Eggs, Roslyn Oxley9 Gallery, Sydney, Australia
Nature's Little Helpers, Robert Miller Gallery, New York, USA
2004
Sculpture, Robert Miller Gallery, New York, USA
We are Family, toured to Bendigo Art Gallery, Bendigo, Australia
2003
We are Family, Australian Pavilion, 50th Venice Biennale, Venice, Italy
We are Family, toured to Hara Museum, Tokyo, Japan
Precautionary Tales, Tolarno Galleries, Melbourne, Australia
Precautionary Tales, Roslyn Oxley9 Gallery, Sydney, Australia
Love Me Love My Lump, Monash Centre and Dryphoto Gallery, Prato, Italy
Call of the Wild, toured to John Curtin Gallery, Perth, Australia
2002
Call of the Wild, Museum of Contemporary Art, Sydney, Australia
Retrospectology, Australian Centre for Contemporary Art, Melbourne, Australia
Sandman, National Gallery of Victoria, Melbourne, Australia
Autoerotic, Roslyn Oxley9 Gallery, Sydney, Australia
2001
The Breathing Room, The Tokyo Metropolitan Museum of Photography, Tokyo, Japan
Superevolution, Centro de Artes Visuales, Lima, Peru
One Night Love, Tolarno Galleries, Melbourne, Australia
2000
Swell, Artspace, Sydney, Australia
Desert Riders, Roslyn Oxley9 Gallery, Sydney, Australia
1999
Protein Lattice, Republic Tower billboard, Melbourne, Australia
Truck Babies, Tolarno Galleries, Melbourne, Australia
Plasticology, NTT InterCommunication Centre, Tokyo, Japan
1998
Sheen, Adelaide Festival, Adelaide, Australia
Car Nuggets, Arts Victoria, Melbourne, Australia
1997
Psycho, Tolarno Galleries, Melbourne, Australia
1996
Natural Beauty, The Basement Project, Melbourne, Australia
Your Time Starts Now..., Contemporary Art Centre of South Australia, Adelaide, Australia
Your Time Starts Now..., Institute of Modern Art, Brisbane, Australia
1995
Love Me Love My Lump, The Basement Project, Melbourne, Australia
TerrUrbanism, toured to The Australia Centre, Manila, Philippines
1994
TerrUrbanism, Centre for Contemporary Photography, Melbourne, Australia
T.M.G.P., The Basement Project, Melbourne, Australia
Indivisibles, The Basement Project, Melbourne, Australia
Selected Group Exhibitions
2022
Synthetic Ecology, CAFA Art Museum, Beijing, China
2021
The Hilger Collection, City Art Gallery, Ljubljana, Slovenia
Where We Are, Hosfelt Gallery, San Francisco, USA
Patricia Piccinini at Yavuz, West Bund Art and Design, Shanghai, China
The McClelland Collection: 50 Years, McClelland Gallery, Langwarren, Australia
Future U, RMIT Gallery, Melbourne, Australia
Connecting the World through Sculpture, Monash University Museum of Art, Melbourne, Australia
Reshaped Reality, Osthaus Museum, Hagen, Germany
2020
Supernatural, Kunsthalle Tubingen, Tubingen, Germany
Moving Energies:10 Years me, me Collectors Room, Berlin, Germany
Hyper Realism Sculpture, Parc de la Boverie, Liège, Belgium
2019
Australia. Antipodean Stories, PAC Padiglione d'Arte Contemporanea, Milano, Italy
Future and the Arts, Mori Art Museum, Tokyo, Japan
Cars: Accelerating the Modern World, Victoria and Albert Museum, London, UK
Encounters: Honoring the Animal in Ourselves, Palo Alto Art Center, Palo Alto, CA, USA
Licht Luft Scheisse, Botanical Museum, Berlin, Germany
The Coming World, Garage Museum of Contemporary Art, Moscow, Russia
The XXII Triennale di Milano, Broken Nature, P a l a z z o d e l l A r t e , Milan, Italy
Apocalyptic Horse, Heide III: Albert & Barbara Tucker Gallery, Bulleen, Australia
Enter, Housemuseum Galleries, Kew, Australia
Projects, Seattle Art Fair, Seattle, USA
Perfection, Science Gallery, Dublin, Ireland
The Gifts of Tony Podesta, Katzen Art Center, Washinton DC, USA
Reshaped Reality, Chiang Kai-sheck Memorial Hall, Taipei, Taiwan
Auto-didactic: The Juxtapoz School, Petersen Automotive Museum, Los Angeles, USA
Obsession: Devil in the Detail, Mornington Peninsula Regional Art Gallery, Mornington, Australia
2018
The Public Body, Artspace, Woolloomooloo, Australia
Perfection, The Science Gallery, Melbourne, Australia
This Wild Song, Town Hall Gallery, Hawthorn, Melbourne, Australia
Mirror Mirror, Paul Robeson Galleries, Newark, NJ, USA
The Exodus of Ordinary, Vivian Gallery, Warkworth, New Zealand
Frankensteins Birthday Party, Hosfelt Gallery, San Francisco, USA
Adelaide Biennial of Australian Art: Divided Worlds, Art Gallery of South Australia, Adelaide, Australia
Let's Play, Bunjil Art Gallery, Narre Warren, Australia
Hyper Real, National Gallery of Australia, Canberra, Australia
2017
All the Better to See you with, Fairy Tales Transformed, Ian Potter Gallery, Universty of Melbourne, Parkville, Australia
Pulsanti, Abdulmecid Mansion / Arter, Istanbul, Turkey
At 50, Tolarno Galleries, Melbourne, Australia
Gys! Er den levende?, Arken Museum of Modern Art, Copenhagen, Denmark
Momentum 9 Bienale 'Alienation', PunktO Galleri 15, Moss, Norway
Revival, National Museum of Women in the Arts, Washington, USA
Beyond Belief: the Sublime in Contemporary Art, Bathurst Regional Art Gallery, Bathurst, Australia
Mad Love, Arndt Art Agency, Berlin, Germany
The Universe and Art, ArtScience Museum, Singapore
The Universe and Art, Mori Art Museum, Tokyo, Japan
On the Origin of Art, MONA (Musuem of Old and New Art), Hobart, Australia
2016
N e w R o m a n c e A r t a n d t h e p o s t h u m a n , Museum of Contemporary Art, Sydney, Australia
Soft Core, Casual Powerhouse Arts Centre, Lake Macquarie City Gallery, Hawkesbury Regional Gallery, Bathurst Regional Gallery, Cowra Regional Gallery, Shoalhaven Arts Centre, Shepparton Art museum, Ararat Regional Art Gallery, Wagga Wagga Art Gallery, Sydney, Lake Macquarie, Hawkesbury, Bathurst, Cowra, Nowra, Shepparton, Ararat, Wagga Wagga, Australia
Speed, Murray Art Museum, Albury, Australia
The New Romance, National Museum of Contemporary Art, Seoul, South Korea
Cornucopia, Shepparton Art Museum, Shepparton, Australia
Weird and Wonderful, Museum Folkwang, Essen, Germany
Australian Exotica, Monash Gallery of Art, Melbourne, Australia
Super Natural, National Museum of Women in the Arts, Washington, USA
Materia Prima, LABoral Centro De Arte, Gijon, Spain
2015
The Post-Photographic Condition, Le Mois De La Photo a Montreal, Montreal, Canada
Demonstrable, University of Western Australia, Perth, Australia
Beautiful Beast, The New York Academy of Art, New York, USA
Q u e e n s i z e F e m a l e A r t i s t s f r o m t h e O l b r i c h t C o l l e c t i o n , me Collectors Room, Berlin, Germany
Dark Heart, Adelaide Biennial of Australian Art, Adelaide, Australia
Menagerie, Australian Centre for Contemporary Art, Melbourne, Australia
2014
In the Flesh: Experiencing the New Real, National Portrait Gallery of Australia, Canberra, Australia
PULSE: Reflections on the body, Canberra Museum and Gallery, Canberra, Australia
The Gathering II, Wangeratta Art Gallery, Wangaratta, Australia
In the Flesh: Experiencing the new real, National Portrait Gallery of Australia, Canberra, Australia
Remain in Light: Photography from the MCA collection touring exhibition, Museum of Contemporary Art, Ipswich Reg Gallery, Western Plains Culture Centre, Maitland Reg Gallery, Bendigo Art Gallery, Artspace Mackay, Hawkesbury Reg gallery, Sydney, Ipswich, Dubbo, Maitland, Bendigo, Mackay,Windsor, Australia
Swell, Screen Space, Melbourne, Australia
Melbourne Now, NGV, Melbourne, Australia
Post-humanist Desire: Sexuality and Digitality in Contemporary Art, Museum of Contemporary Art, Taipei, Taiwan
2013
Nature of the Beast, The New Art Gallery, Walsall, England
How to tell the future from the past, Haunch of Venison, New York, USA
The Future's Not What It Used To Be, Newlyn Art Gallery and The Exchange, Newlyn, England
The Wandering: Moving Images from the MCA Collection, Cairns Regional Gallery, Cairns, Australia
Project Genesis, Ars Electronica, Linz, Austria
Call of the Wild, Hosfelt Gallery, San Francisco, USA
Vrrooom, Perc Tucker Regional Gallery, Townsville, Australia
Under My Skin: Contemporary Australian Photography from the Corrigan Collection, Rockhampton Regional Gallery, Rockhampton, Australia
Seven Sisters, Karen Jenkins-Johnson Gallery, San Francisco, USA
Fairy Tales, Monsters, and the Genetic Imagination, The Frist Center for the Visual Arts,Glenbow Art Museum, Winnipeg Art Gallery, Nashville, Tennesse, Calgary, Manitoba, USA, Canada
The Observer, Haunch of Venison, London, UK
2012
Louise Bourgeois, Heide Museum of Modern Art, Melbourne, Australia
Blue: Matter, Mood, and Melancholy, 21c Museum Hotel, Louisville, USA
Confounding: Contemporary Photography, National Gallery of Victoria, Melbourne, Australia
Nature vs Nurture, FaMa Gallery, Verona, Italy
Animal/Human, University of Queensland Art Museum, Brisbane, Australia
Concepts of Life in Contemporary Sculpture, Georg Kolb Museum, Berlin, Germany
Cycle in Cinema, University of NSW, College of Fine Arts, Sydney, Australia
The Freeze, Maroondah Art Gallery, Melbourne, Australia
Controversy: the power of art, Mornington Peninsula Regional Art Gallery, Melbourne, Australia
Chromogenic, 2012, Media House Gallery, The Age building, Melbourne, Australia
Inspiring Art> recipients of the Pat Corrigan Artists Grant, Maitland Regional Art Gallery, Maitland, Australia
2112: Imagining the Future, RMIT Gallery, Melbourne, Australia
Power of Making, Victoria & Albert Museum, London, UK
2011
Boundaries Obscured, Haunch of Venison, New York, USA
The Power of Making, Victoria & Albert Museum, London, UK
2010
Our Origins, The Museum of Contemporary Photography, Chicago, USA
2009
The Earth is Blue like an Orange, The Montreal Museum of Fine Arts, Montreal, Canada
Medicine and Art, Mori Art Museum, Tokyo, Japan
2nd Asian Art Biennale, National Taiwan Museum of Fine Arts, Taipei, Taiwan
Wonderland: through the Looking Glass, KadE Kunsthal, Amersfoot, The Netherlands
Tier-Werden, Mensch-Werden, NGBK, Berlin, Germany
Niet Normaal: Difference on Display,, Beurs Van Berlage,, Amsterdam, The Netherlands
2008
Colliding Worlds, Samstag Museum, Adelaide, Australia
Contemporary Australia: Optimisim, GOMA Queensland Art Gallery, Brisbane, Australia
Neo-Goth: Back In Black, University of Queensland Art Museum, Brisbane, Australia
The Stranger, Yvon Lambert, New York, USA
Gallery Artists, Conner Contemporary Art, Washington DC, USA
Figuring Landscapes, ArtSway, and then travelling UK and Australia until 2010, Hampshire, UK
Life (Death Thereafter), Silvershot, Melbourne, Australia
The Land of Retinal Delights, Laguna Art Museum, Laguna Beach, USA
Bloodline: The Evolution of Form, McClain Gallery, Houston, USA
New Millenium, Lismore Regional Gallery, Lismore, Australia
2007
FX in Contemporary Photography, McClelland Gallery and Sculpture Park, Melbourne, Australia
Global Feminisms, Brooklyn Museum, New York, USA
Switcher Sex: Video Works from the Teutloff Collection, Slought Foundation, Philadelphia, USA
Diagnose [Kunst]: Contemporary art reflecting medicine, Museum im Kulturspeicher, Wurzberg, Germany
Diagnose [Kunst]: Contemporary art reflecting medicine, Kunstmuseum Ahlen, Ahlen, Germany
Down Under: The Hague sculpture 07, Haags Historisch Museum, The Hague, The Netherlands
MCA Collection: New Acquisitions, Museum of Contemporary Art, Sydney, Australia
2006
Artist Makes Video: Art Rage Survey 1994-1998, Queensland College of Art, Brisbane, Australia
Redefined, Corcoran Museum of Art, Washington DC, USA
Uneasy Nature, Weatherspoon Art Museum, Greensboro, USA
Long Live Sculpture, The Open Air Museum for Sculpture Middelheim, Antwerp, Belgium
Prism, Bridgestone Museum of Art, Tokyo, Japan
Black & Blue, Robert Miller Gallery, New York, USA
High Tide, Zacheta National Gallery of Art, Warsaw, Poland
Out of Line: Drawings from the Collection of Sherry and Joel Mallin, Herbert F Johnson Museum of Art Cornell University, Ithaca, USA
High Tide, Contemporary Art Centre, Vilnius, Lithuania
The Idea of the Animal, RMIT Gallery, Melbourne, Australia
New to the modern: Heide's Collection 25 years on, Heide Museum of Modern Art, Melbourne, Australia
Strange Cargo, Newcastle Region Art Gallery, travelling exhibition until March 2008, Newcastle, Australia
Supercharged, Institute of Modern Art, travelling exhibition until June 2008, Brisbane, Australia
2006:Contemporary Commonwealth, Australian Centre for the Moving Image, Melbourne, Australia
Epic, Lismore Regional Gallery, Lismore, Australia
2005
Home Goal: Diversity in Contemporary Art from the Collection of Dr. Dick Quan, Bathurst Regional Art Gallery, Bathurst, Australia
Becoming Animal, MASS MoCA, North Adams, USA
Detox, Kunstnernes Hus, Oslo, Norway
Figure It Out, Hudson Valley Center for Contemporary Art, Peekskill, USA
I thought I knew but I was wrong, Ssamzie Space, Seoul, South Korea
Almost, Robert Miller Gallery, New York, USA
Living Apart Together, Odapark Venray, Venray, The Netherlands
2004
Extra-Aesthetic: 25 Views of the Monash University Collection, Monash University Museum of Art, Melbourne, Australia
Rheinschau Art Cologne Projects, Art Cologne, Cologne, Germany
Andererseits: die phantastik, Landesmuseum, Linz, Austria
We Are the World, Chelsea Art Museum, New York, USA
Brides of Frankenstein, San Jose Museum of Art, San Hose, USA
Auto Fetish: The Mechanics of Desire, Newcastle Region Gallery, Newcastle, Australia
Bloom: Mutation, Toxicity and the Sublime, Govette Brewster Art Gallery, New Plymouth, New Zealand
I thought I knew but I was Wrong, Jamjuree Art Gallery, Pathumwan, Bangkok, Thailand
Adelaide Biennale of Australian Art, Art Gallery of South Australia, Adelaide, Australia
Repercussions, Greenaway Art Gallery, Adelaide, Australia
The Plot Thickens, Heidi Museum of Modern Art, Bulleen, Victoria
2003
Written with Darkness: Selected photographs from the Corrigan Collection, University of Technology Gallery, Sydney, Australia
Face Up, Hamburger Bahnhof, Berlin, Germany
Bienal de La Habana, Havana, Havana, Cuba
Second Sight, National Gallery of Victoria, Melbourne, Australia
2002
see, here, now, The Ian Potter Museum of Art, Melbourne, Australia
Liverpool Biennale: International 2002, Tate Liverpool, Liverpool, England
(The world may be) fantastic: 2002 Biennale of Sydney, Object Gallery, Sydney, Australia
Tech / No / Zone, Museum of Contemporary Art, Taipei, Taiwan
Melodrama: Lo Excesivo en la Imaginación Posmoderna, Artium, Centro Museo Vasco de Arte Contemporáneo, Vitoria-Gasteiz, Spain
Modified Terrain, Institute of Modern Art, Brisbane, Australia
conVerge; where art and science meet, Art Gallery of South Australia, Adelaide, Australia
Heterosis: Digital Art from Australia, Conde Duque, Madrid, Spain
2001
For Real, Wood Street Galleries, Pittsburgh, United States
2nd Berlin biennale, Postfuhramt (Old Postal Services Building), Berlin, Germany
hybridforms: Australian new media art, Netherlands Media Art Institute, Amsterdam, The Netherlands
Melbourne Festival, The Australia Projects, Melbourne Zoo and RMIT Gallery, Melbourne, Australia
Seeing through Landscape, Australian Centre for Photography, Sydney, Australia
2000
Desire, Royal Melbourne Institute of Technology Gallery, Melbourne, Australia
Gwangju Biennale, Gwangju City Art Museum, Gwangju, Korea
Song of the Earth, Museum Fridericianum, Kassel, Germany
Passing Time: The Möet & Chandon Exhibition, Art Gallery of New South Wales, Sydney, Australia
Terra Mirabilis: Wonderful Land, Centre for Visual Arts, Cardiff, Wales
Zeitgeössische Fotokunst Aus Australien, Neuer Berliner Kunstverein, Berlin, Germany
Zeitgeössische Fotokunst Aus Australien, Museum Scholß Hardenberg, Velbert, Germany
Zeitgeössische Fotokunst Aus Australien, Kunstsammlungen, Chemnitz, Germany
Zeitgeössische Fotokunst Aus Australien, Kulturzentrum der Stadt Stuttgart, Stuttgart, Germany
Flow, National Art Gallery, Kuala Lumpur, Malaysia
Bonheurs des Antipodes, Musée de Picardie, Amiens, France
Make/Believe, The Fabric Workshop and Museum, Philadelphia, USA
Sporting Life, Museum of Contemporary Art, Sydney, Australia
Plastic Life, Level 2, Art Gallery of New South Wales, Sydney, Australia
1999
Akihabara TV 2, Akihabara electrical stores, Tokyo, Japan
Signs of Life: Melbourne International Biennial, Telstra Exchange Building, Melbourne, Australia
A Window Inside Outside, Gwangju City Art Museum, Gwangju, Korea
Probe, Australian Embassy, Beijing, China
The Liquid Medium:Video Art, Queensland Art Gallery, Brisbane, Australia
ARTificial Life, Artspace, Auckland, New Zealand
Akihabara TV, Akihabara electrical stores, Tokyo, Japan
The Persistence of Pop, Monash University Gallery, Melbourne, Australia
Signature Works, Australian Centre for Photography, Sydney, Australia
Art Life 21, Spiral TV, Spiral/Wacoal Art Centre, Tokyo, Japan
Byte Me, Bendigo Art Gallery, Bendigo, Victoria
1998
Tolarno Galleries at the Moores Building, Perth Festival, Perth, Australia
Up the Road: Contemporary Artists out of the VCA, Australian Centre for Contemporary Art, Melbourne, Australia
Metamorphosis, Mornington Peninsula Regional Art Gallery, Victoria, Australia
1997
Hype: Fashion, Art and Advertising, RMIT Gallery, Melbourne, Australia
Natural Selection (Australian Perspecta 1997), Museum of Contemporary Art, Sydney, Australia
Art=Advertising, Robert Lindsay Gallery, Melbourne, Australia
Lawyers, Guns and Money, Experimental Art Foundation, Adelaide, Australia
Second Tokyo International Photo Biennale, The Tokyo Metropolitan Museum of Photography, Tokyo, Japan
Fotofeis, Gallery of Modern Art, Glasgow, Scotland
Nothing Natural, Plimsoll Gallery, Hobart, Australia
Nothing Natural, Latrobe Regional Gallery, Morewll, Australia
Wild Kingdom, Institute of Modern Art, Brisbane, Australia
1996
Techne, Perth Institute of Contemporary Arts, Perth, Australia
Photography is Dead! Long Live Photography!, Museum of Contemporary Art, Sydney, Australia
Science Fiction/Social Fiction, Galerie Der Stadt Schwaz im Palais Enzenberg, Austria, Australia
Perception & Perspective, National Gallery of Victoria, Melbourne, Australia
Nothing Natural, The Basement Project, Melbourne, Australia
Möet & Chandon Touring Exhibition, National Gallery of Victoria, Melbourne, Australia
Möet & Chandon Touring Exhibition, Queensland Art Gallery, Brisbane, Australia
Möet & Chandon Touring Exhibition, Art Gallery of South Australia, Adelaide, Australia
Möet & Chandon Touring Exhibition, Art Gallery of New South Wales, Sydney, Australia
Cyber Cultures, Performance Space, Sydney, Australia
Alternative Realities tour, Pacific Cultural Centre, Taipei, Taiwan
Alternative Realities tour, Tamsui Centre of Arre, Tamsui, Taiwan
Alternative Realities tour, Mountain Art Gallary, Kaohsiung, Taiwan
Alternative Realities tour, Karnataka Chitrakala Parishath Gallery, Bangalore, India
1995
Alternative Realities tour, Government Museum & Art Gallery, Chandigarh, India
Alternative Realities, Ian Potter Gallery, University of Melbourne, Melbourne, Australia
Alternative Realities tour, University of Science and Technology, Hong Kong, China
Alternative Realities tour, Zhu Qizhan Gallery, Shanghai, China
Alternative Realities tour, Wang Fun Art Gallery, Beijing, China
Alternative Realities tour, Gallery Artbeam, Seoul, Korea
Technothelylogia: Technology for and by Women, Monash University Gallery, Melbourne, Australia
Since the Accident, The Basement Gallery, Melbourne, Australia
Our Parents' Children, National Gallery of Victoria, Melbourne, Australia
A Gathering of Shades, Temple Studio, Melbourne, Australia
Fleshly Worn, ASA Gallery, Aukland, New Zealand
Ada's Spawn, New Media Network, Melbourne, Australia
Plastiche (Curator), The Basement Project, Melbourne, Australia
1993
Critical Mass, Arts Victoria Gallery, Melbourne, Australia
City Screens, Melbourne International Festival, Melbourne, Australia
1992
Deliquescence, 200 Gertrude Street, Melbourne, Australia
Deliquescence, Canberra Contemporary Art Space, Canberra, Australia
Deliquescence, First Draft Gallery, Sydney, Australia
Deliquescence, First Draft Gallery, Sydney, Australia
2022
Australian Print Workshop - Maggie Finch, New Australian Printmaking - Intimate Lines, NGV, 2022, pp. 132-178
2021
Nicole Scheyerer, Morgen, Morgen.at, 2021, p. 21
Mannika Mishra, Contemporary Lynx Magazine, Contemporary Lynx Ltd, 2021, pp. 25-27
Jaklyn Babington, Know My Name, NGA, 2021, p. 11
Gitte Tandrup, Learning to Look at Art with Rafael (Danish), Middle Yard Publishing, X, pp. 186-189
Konrad Marshall, High Flyer - Good Weekend mag, Fairfax press, 2021, Cover, pp.12-15
Anni Doyle Wawrzynczak, How local art made Australias national capital, ANU Press, 2020, Cover, 245, 246
2020
Dr. phil. Ann-Katrin Günzel, Kunstforum international, kunstforum.de, 2020, pp 48-49, 61, 86-87
Jon Wood & Julia Kelly / Nato Thompson, Contemporary Sculpture, Cragg Foundation, 2019, pp 215-217
2019
Tokuyama Hirokazu, Kondo Kenichi, Future and the Arts, Mori Art Museum, Tokyo, 2019, pp 136-137
Benoit Remiche, Hyper-Realism Sculpture ceci n'est pas un corps, Tempora, 2019, pp 178-179
Jon B K Ransu, Hreinn Hryllingur form og formleysur I samtimalist, Prentsmidjan Oddi ehf, 2019, p 146
Guillaume Baychelier, No age, please, we're posthuman!, Editions Kime, 2019, pp 99-116
Rebecca Morrill / Louisa Elderton, Great Women Artists, Phaidon Press, 2019, p. 320
Paola Antonelli / Ala Tannir, Broken Nature, La Triennale di Milano, 2019, p. 261
Yanki Lee, Kana Ohashi, Speculations: Beyond Human Centered Design, Shinano Co, 2019, pp. 274-275
Corbett Lyon, Fleur Watson, Enter, Housemuseum Galleries, 2019, Central Gallery 9.
Dr Otto Letze, Mr Franklin Hill, Reshaped Reality, Institute fur Kulturaustausch, 2019, pp. 120-121
Franco Bolelli, Manuela Mantegazza, Per Tuttii I Per Sempre, Amazon, 2019, Front cover
Jeans Jamin, Michel Leiris, Gradhiva, Musee Du Quai Branly, 2019, pp. 88-99
Jean Marie Panazol, TDC (Textes et Documents Pour la Classe), Reseau Canope, 2019, pp. 7, 81
Christian Gether, Stine Hoholt, Dea Antonsen, A World of Love, Arken Museum of Modern Art, 2019
Henry T. Greely, Issues in Science and Technology, N a t i o n a l A c a d e m y o f S c i e n c e s & , Spring, 2019, pp. 32-33
Jennifer Sakai & Klaus Ottmann, The Gifts of Tony Podesta, American University Museum, 2019, pp.88-89
Therese Gilligan, MC_AC, Loreto Mandeville, 2018, pp. 69-74
Otto Letze, Nicole Fritz, Almost Alive / Kunsthalle Tubingen, Hirmer Verlag, 2018, pp. 122-123
Nathan Scolaro, Dumbo Feather / PP makes Tender Art, Berry Liberman, 2018, pp. 86-95
2018
Sally Claxton, The Art of Feminism, Elephant Book Company Ltd, 2018
Evelyn Tsitas, My Monster, RMIT Gallery, Melbourne, 2018, p. 54
Liz Rideal, Kathleen Soriano, Madam & Eve, Women Portraying Women, Laurence King Publishing, 2018, p 107
Samantha Comte, All the better to see you with, Fairy tales transformed, Ian Potter Museum of Art, 2018, pp.15, 82-85
Peter McKay, Patricia Piccinini, Curious Affection, Queensland Art Gallery Gallery of Modern Art, 2018
Anonda Bell, Mirror Mirror, Paul Robeson Galleries, Rutgers Uni, 2018, pp. 28, 104-105
Elizabeth Finkel, Cosmos, Cosmos Media, Melbourne, Issue 77, 2018, pp. 52-61
Michael Klant / Joseph Walch, GK Kunst 2- Plastick, Skulptur, Objekt, Schroedel Westermann, 2017, p. 58
Anna Davis, New Romance. Art and the Posthuman, Museum of Contemporary Art, Sydney, 2017, pp.8-9, 16,33,54, 140-147
Abdulmecid Kosku / Omer Koc, Pulsanti aperietur, MAS Matbaacilik San ve Tic A.S., 2017, pp.20-21 50-51 64-67 71-71
2017
Matthias Arndt / Rachael Vance, MAD, Arndt Art Agency, 2017, pp. 38-41
Kon Gouriotis, Artist Profile, Nextmedia, 2017, pp. 56-65
Kathryn Wat, Revival, National Museum of Women in the Arts, 2017, pp. 78-81
Honor Hager, The Universe and Art, Artscience museum, Singapore, 2017, p. 90
Marysa van den Berg, KIJK / Dier Maakt Mens, KIJK Magazine, Netherlands, 42917, pp. 34-35
Charles Green, Art Forum International, May 2017, Artforum International Magazine, 2017, p.356
Richard Perram, Beyond Belief The sublime in contemporary art, Bathurst Regional Art Gallery, 2017, pp. 30-33
Silja Leifsdottir, What Remains, Fotogalleriet, Oslo, 2017, p. 79
Otto Letze, GYS! Er den levende?, Arken Museum for Moderne Kunst, 2017, p.90-91
Bowden, Hannan, D'Aglas, Lindley, D'Angelo, Art-isan, Studio Arts for VCE, Cambridge University Press, 2017, p. 144, 208
Adam Geczy, The Artificial Body in Fashion and Art, Bloomsbury Publishing, 2017, p. 70,79,84-87
Michael Do, Soft Core, Ligare Book Printers, 2016, pp. 66-71
Barbara Creed, Stray: Human/Animal Ethics in the Anthropocene, Power Publications, 2016
David Walsh, On the Origin of Art, Museum of Old & New Art, 2016, p. 453-461
2016
Nanjo Fumio, The Universe and Art, Mori Art Museum, Tokyo, 2016, p. 126
Natasha Bullock, MCA Collections, Museum of Contemporary Art, Sydney, p. 292-293
Malene Breusch Hansen, Researchers Wildest Tools, Bonnier Publications Int, 2016, p. 93
Thomas Macho, Das Schwein, Agora 42, 44424, pp. 43-48
Jane O'Sullivan, Beyond the Border, Australian Financial Review, 42430, pp. 54-59
Joan Fontcuberta, The Post-Photographic Condition, Kerber Photo Art, 2016, pp. 122-127
Jeon Hyesook, Post Human, SACK, Seol, Korea, 2015, pp. 229-236
Kim Jeongbae, New Romance, MMCA, Korea, 2015, pp. 140-155
Marcello Dantas, Comciencia, Centro Cultural Banco, Brasil, 2015
2015
William Myers, BioArt: Altered Realities, Thames & Hudson, 2015, pp. 52-57
Jessica Housand-Weaver, Carbon Culture, Media Solutions USA, Issue 1, Fall 2014, Cover front & back, pp. 51-56
Jaqueline Millner, ARTAND Australia, Art & Australia, Issue 52.1 - 2014, Cover, pp. 4, 128, 136-143
Ron Radford, Collection Highlights, National Gallery of Australia, 2014, p. 196
2014
Andrea Virginas, Acta Universitatis Sapientiae, Sapientia Hungarian Uni of Transylvania Scientific Publishing House, Vol 8, 2014, pp. 149-166
Lisbeth Brunnich, Science Illustrated, Denmark, Bonnier Publications, Issue 17, 2014, p. 22
Penelope Grist, Portrait, National Portrait Gallery, Spring/Summer, 2014, pp. 8, 17
Elizabeth Ann Macgregor OBE, Glenn Barkley, Remain in Light (exhibition catalogue), Museum of Contemporary Art, Sydney, 2014, pp. 50-51
Laura Baigorri Ballarín, Sense and Responsibility: A Bioethical Perspective on Experimental Creation, Hipatia Press, Vol 2, Number 2, 2014, pp.152,153, 161
Julie R. Sasse, Blurred Boundaries: A History of Hybrid Beings and the Work of Patricia P., University of Arizona Press, 2014
Mr. Terukazu Suenaga, Ms. Yoko Hayashi, Mr. Motoaki Hori, The Art of the 20th Century and Beyond, Bijutsu Shuppan-sha, Tokyo, July 20th, 2013, p. 204
Diana Warnes, Under My Skin (Exhibition Catalogue), Rockhampton Art Gallery, 2013, p. 49
Caitlyn Burford, Manor House Quarterly, Manor House Quarterly, USA, Issue 07 , 2013, pp. 8, 46-57
2013
Zoe Forget, Hey (Modern art & pop culture), Ankame Editions, #15, 2013, pp. 66-75
Lucy Marczyk, (INSIDE) interior design review, Niche Media Pty Ltd, Sept / Oct 2013, p. 20
Gong Yan, Art World 278 (Safari, the Zoetrope of Monsters), Shangai Central Publishing, 2013
Deborah Robinson, The Nature of the Beast (Exhibition Catalogue), The New Art Gallery Walsall, 2012
Jason Smith / Linda Michael, Louise Bourgeois in Australia (Exhibition Catalogue), Heide Museum of Modern Art, 2013, p. 118-121
Antoine de Galbert, Memories of the Future, Collection of Thomas Olbricht (MR8), Fage Edition et La maison rouge, 2012, pp. 84, 210-211
Ming Turner, Post - Humanist Desire, Museum of Contemp. Art, Taipei, Taipei, 2013, pp 8-11
Kelly Gellatly, 101 Contemporary Australian Artists, National Gallery of Victoria, 2012, p. 170-171
Marc Wellmann, BIOS Concepts of Life in Contemporary Sculpture, George Kolbe Museum, 2012, Cover, pp. 82-85
2012
Linda Hertzman, Bild I Skolan, Swedish Teachers Union, 40909, p. 26-27
Bild I Skolan, En Ingang I Samtidskonsten, Swedish Teachers Union, 40909, p. 26-27
Scala, Mark W., Fairy Tales, Monsters and the Genetic Imagination (Exhibition Catalogue), Vanderbuilt University Press, Sept, 2012
Ewen McDonald, MCA Collection. Volume One, Museum of Contemporary Art, Sydney, 40969
RMIT Gallery, Imagining the Future (exhibition catalogue), RMIT Gallery, Melbourne, 40909, p. 50-51
Harrington, Zoe, Sculpture and the Enemies, Sculp & Enemies.com.au, Jan-March, 2012, p. 14-23
JD Talasek, Rick Welch, Kevin Finneran, Visual Culture and Evolution, an Online Symposium, University of Maryland, USA, 2012, p. 188-189
McDonald, Helen, Nearly Beloved, Patricia Piccinini, Piper Press, 2011
Tony Ellwood, Ten Years of Contemporary Art. The James C Sourris AM Collection, Queensland Art Gallery, 2011, p. 138
2011
Jane Messenger, Once Upon A Time (Exhibition Catalogue), Art Gallery of South Australia, 2011
Katrina Strickland, Neither Fish nor Fowl, Weekend Australian Fin Review, 2011, p. 37
Deborah Bird Rose and Thom van Dooren/ Donna Harraway, Unloved Others, Australian Humanities Review, 2011, pp. 95-118
Vogue, Art - Pushing the Boundaries, Vogue Australia, 44327, p 130
The Melbourne Magazine, Fitzroy Series - CCP, The Age, 40756, p 72
Wendy Walker, Disturbing Stories for our Times, The Australian, 40653, p 14
Millner, Jacqueline, Video, an Art, a History, 1965-2010, Centre Pompidou & Singapore Art Museum, 44358, pp 88, 91, 93
2010
Robertson, Jean and McDaniel, Craig, Themes of Contemporary Art: Visual Art after 1980, Oxford University Press, 2010, pp. 264-266
Kwang-Suk, Lee, The Art and Cultural Politics of Cyber Avant-gardes, Thomson Publications, 2010, pp. 379-385
Engberg, Juliana, Relativity (exhibition catalogue), Art Gallery of Western Australia, 2010
Stadeus, Geert, and Snoeck, Patrick, Patricia Piccinini, Snoecks 2010, 2010, pp. 210-223
Bodeker, Katja and Hammer, Carmen, Wunderforschung, Nicolai, 2010, pp. 52-53
The Revival of Empty Spaces, Patricia Piccinini, Monthly Art Magazine, 44296, pp. 72-77
Reilly, Maura, Curating Transnational Feminisms, Feminist Studies Magazine, Spring 2010, p.161
Hong, Kyoung-Han, Art in Post, Public Art, 44265, pp. 142-143
Hong, Kyoung-Han, Patricia Piccinini (interview), Public Art, 44296, p. 177
2009
Millner, Jacqueline, Conceptual Beauty, Artspace, Sydney, 2009, pp. 16-22, 106
Chrudzimska-Uhera, Katarzyna, Niepewna przysztosc Rzezby: Patricia Piccinini, Lamus, 44386, pp. 62-67
Clark, John, Biennials and the Circulation of Contemporary Asian Art, Yishu: Journal of Contemporary Chinese Art, 2009, p.38
Mori Art Museum, Medicine and Art: Imagining a future for Life and Love, Mori Art Museum, Tokyo, 2009, pp. 228-229
Grehan, Helena, Performance, Ethics and Spectatorship in a Global Age, Palgrave Macmillan, 2009, pp. 8, 140, 142-3, 162-7, 187, 189
Ardenne, Paul, Art le Present: La creation plasicienne au tournant du XXI siecle, Editions du Regard, 2009, pp. 156, 184
Allemand, Lauranne, Denaro, Dolores, and team, Genipulation, Kunsthaus Centre d'art, 2009, pp. 116-119
Roos, Robert, Wonderland: Through the Looking Glass, Kunsthall Kade Amersfoort, Netherlands, 2009, pp. 80-83
Green, Erica, Colliding Worlds, Samstag Museum, University of Adelaide, 2009, pp. 1-3
Egan, Fiona, Born to be Wild: the Motorcycle in Australia, Penrith Regional Gallery, 2009, pp. 4, 28
Hackett, Edward, Reflections for Looking Forward, Sciencemag.com, 44205, pp. 340-345
Korper Kurz nach der Geburt, Kunst und Unterricht, Kallmeyer, 44386, p. 49
Warne-Smith, Drew, Up Next: Patricia Piccinini, The Weekend Australia Magazine, March 14-15, 2009, p. 7
Martain, Tim, Otherworldly Designs, The Mercury Magazine, 39893, p.2-3
Strickland, Katrina, Tasmania's Modern Take, The Weekend Australian Financial Review, April 9-13, 2009, p. 56
Levine, Stacey, Looking Together: Writers on Art, University of Washington Press, 2009, p. 36, 45
Neylan, John, Motherhood Statement, The Adelaide Review, 44265, pp.30-31
Smallenburg, Sandra, Beeldende Kunst, NRC Handelsblad, 39934, p.8
2008
The Phantasm of International Biennales, Monthly Art Magazine, 44539, p. 116
Palmer, Maudie, Encounters with Australian Modern Art, Macmillan Art Publishing, 2009, pp. 246-247
Art and Australia, Current: Contemporary Art from Australia and New Zealand, Dott Publishing, 2009, pp. 256-259
Haraway, Donna , When Species Meet, University of Minnesota Press, 2008, pp. 287-292, 387
Heartney, Eleanor, Art and Today, Phaidon Press, 2008, pp. 188-189
Hulsbosch, Marianne, Cambridge Visual Arts: Stage 4, Cambridge University Press, 2008, pp. 148-149
Slade, Lisa, The Thrall of the Skull, Neo Goth: Black is Back, 2008, pp. 24-26
Koop, Stuart, Beep Crackle: Contemporary art from the middle of nowhere, Institute of Modern Art, Sydney, 2008, pp. 126-135
Takamado, Her Highness, the Princess, Transcripts of Lectures, Osaka University of Arts, 2008, pp. 111-112
Kudo, Kiki, Post No Future, Kawade Shobo Shinsha Publishers, Japan, 2008, pp. 127-129
Braun, Bart, Nieuwe Dieren, Uitgeverji Veen Magazines, 2008, pp. 120-122
Zeitz, Lisa, Moped als Madonna: Das geheime Leben der Vespa, Kunstmarkt, 39501, p. 44
Foster Gage, Mark, Etiologies of Beauty: Architecture and the New Physics of Appearances, Perspecta 40: Monster, 2008, p. 93
Johnson, Ken, Some Shows for Escape, Some for Introspection, The New York Times, 39633, p. 30
Beare, Michael & Welfare, Phillippa, Just Imagine, Wollongong City Gallery, 2008, pp. 12-13
Cruz, Marcos, Designer Surgeons, Architectural Design, 44508, p. 48
Saehrendt, Christian & Kittl, Steen, Sprachfuhrer Deutsch - Kunst, Kunst - Deutsch, Dumont Buchverlag, Koln, 2008, pp. 149-150
Suzanne Anker and JD Talasek, Visual Culture and Bioscience, University of Maryland, USA, 2008, p. 198
2007
Queensland Art Gallery, Contemporary Australia: Optimism, Queensland Art Gallery, 2008, pp. 182-185
Fernandez Orgaz, Laura, (Tiernas) Criaturas, Artium, 2007
Haraway, Donna , Speculative Fabulations for Technoculture's Generations: Taking Care of Unexpected Country, (Tiernas) Criatures, 2007
Alderton, Steven, Patricia Piccinini: Double Love Knot (exhibition catalogue), Lismore Regional Gallery, 2007
Hickson, Patricia, Hug or Run?, Hug: Recent Work By Patricia Piccinini, 2007
Rosenberg, Randy, Art in Action: Nature, Creativity and Our Collective Future, The Natural World Museum, 2007
Heartney, Eleanor, Worldwide Women, Art in America, June/July 2007, pp. 155-165
Blas, Susana, Patricia Piccinini: Documentary about the exhibition (Tiernas) Criatures at Artium, Metropolis, Spain, 44476
Armstrong, Carol, Carol Armstrong on Global Feminisms and WACK!, Artforum International, 00/0606/0707, pp. 360-362
Were, Virginia, A Matter of Transformation, ArTnews New Zealand, Summer 2007, p. 60-62
Israel, Glenis, Essential Art, Jacaranda, 2007, pp. 202-206
Wallis, Geoffrey, Eye to i: The Self in Recent Art, Ballarat Fine Art Gallery, 2007, p.90
Smith, Royce W., Hug: Recent Work by Patricia Piccinini, Review, 00/0505/0707, pp. 42-45
Astrapellou, Marilena, Dear Scooter: Patricia Piccinini's Auto Art, Intersection, Spring 2007, p. 26
de Rooij, Marie Jeanne, Down Under: The Hague Sculpture 07 (exhibition catalogue), Veenman Publishers, 2007, pp. 76-80
Artundo, N, Science in Person, El Correo Espanol El Pueblo Vasco, October 4th, 2007, Cover, p. 77
Crespo, Txema G., Piccinini Bordering the Limits of Nature, El Pais, October 4th, 2007, p. 37
Lloyd, Tim, The Canvas Economy, The Advertiser Review, Sept.1, 2007, p. 1, 6,7
Macgregor, Elizabeth Ann, MCA Collection: New Acquisitions (exhibition catalogue), Museum of Contemporary Art, Sydney, 2007, p. 20
Ostbye, Guri Lorentzen, Barn + Kunst = Danning, Gorilo Forlag, Oslo, Norway, 2007, pp. 148-149
Toffoletti, Kim, Cyborgs and Barbie Dolls: Feminism, Popular Culture and the Posthuman Body, I.B. Tauris and Co. Ltd, 2007, pp. 133-159
Fujinami, Rieko, Nesting in an Ambiguous World, Dart International, Fall 2007, p. 36
2006
Coslovich, Gabriella, NGV Masters private exhibition deal, Metro News and Reviews, 2007, p. 16
Bugden, Emma (ed), Patricia Piccinini: In Another Life (exhibition catalogue), City Gallery Wellington, 2006
Brennan, Stella, Border Patrol, In Another Life, 2006, pp. 6-9
Winship, Ingrid, Genetics in a Genome Era, In Another Life, 2006, pp. 14-15
Weyns, Sara, Long Live Sculpture, Middelheim Museum, Antwerp, 2006, p. 13, pp.52-55
Setsuko, Nakamura, Prism: Contemporary Australian Art, Bridgestone Museum of Art, Ishibashi Foundation, 2006, pp 71-77
Doll, Nancy, Uneasy Nature, Weatherspoon Art Museum, 2006, pp. 42-47
Kardasz, Magda and Rees, Simon, High Tide: New Currents in art from Australia and New Zealand, Zacheta National Gallery of Art, Warsaw, 2006, pp. 79-80, 216
Larson, Kay, Beautiful Mutants, Art News, 44233, pp. 106-109
Boucher, Brian, Patricia Piccinini at Robert Miller, Art in America, 44233, p. 128
McRae, Vanessa, Supercharged: The Car in Contemporary Culture, Institute of Modern Art, Brisbane
Green, Charles, 2006: Contemporary Commonwealth, National Gallery of Victoria, Melbourne, 44356, pp.98-101
Geczy, Adam and Genocchio, Benjamin, What is Installation? An Anthology of Writings on Australian Installation Art, Power Publications, Sydney, 44356, pp. 301-305
Crombie, Isobel, Light Sensitive: Contemporary Australian Photography from the Loti Smorgon Fund, National Gallery of Victoria, Melbourne, 44356, pp. 14, 110, plate 10
Reena, Jana, Review of Patricia Piccinini: Nature's Little Helpers at Robert Miller Gallery, tema celeste contemporary art, no. 113, p. 85
York, Hong Cing-fong Hsiao, Artist of the Year / Asia Live, Art Taipei, 2006, 2006, Cover, first 10 pages.
Slade, Lisa, Strange Cargo (exhibition catalogue), Newcastle Region Art Gallery, 2006, p. 6, 8, 13, 52,53
Davies, Suzanne, The Idea of the Animal (exhibition catalogue), RMIT Gallery, 2006
Tucker, Anne, Endangered Species: Patricia Piccinini and the Human Condition, Juxtapoz, February, pp. 72-77
Riley, Jan, Patricia Piccinini, Sculpture Magazine, Vol 25, No 7, September 2006, p. 75
Smith, Jason, Epic (exhibition catalogue), Lismore Regional Gallery, 2006, cover, p.5
Perram, Richard, Home Goal (Exhibition catalogue), Bathurst Regional Art Gallery, 2006
2005
Lippert-Rasmussen, Kasper & Balling, Gert, Det Menneskelige Eksperiment, Museum Tusculanums Forlag, 2006, p. 233
Miller, Christopher, Patricia Piccinini: Nature's Little Helpers, Robert Miller Gallery, 2005
Kent, Rachel, Nature is as Nature Does: Patricia Piccinini's Super-Natural Creations, Nature's Little Helpers, 2005
Havilah, Lisa, C'town Bling, Campbelltown Arts Centre, 2005
Mitzevich, Nick, Newcastle Region Art Gallery: Highlights from the Collection, Newcastle Region Art Gallery, 2005, p. 63
Delany, Max, Extra-Aesthetic: 25 Views of the Monash University Collection, Monash University Museum of Art, Melbourne, 2005, pp. 50-51
Wilson, Beth, Brand X Art, Chronogram, 44321
Glueck, Grace, The line between species shifts and a show explores and move, The New York Times, 44434
Genocchio, Benjamin, Images of Reality, In Three Dimensions, The New York Times, 44373
Glover, Michael, Masters of the dark arts, The Times, 44498
Smee, Sebastian, Nature's Little Helpers make tasty omelette, The Australian
Tofts, Darren, Interzone: Media Arts in Australia, Craftsman House, 2005, pp. 98-101
Welschen, Fred, Living Apart Together (exhibition catalogue), Odapark Venray, 2005
Nowotny, Helga, Unersattliche Neugier: Innovation in einer fragilen Zukunft, Die Deutsche Bibbliothek, 2005, Cover
Savie, Chris, Untitled article, Adbusters, 2005
2004
Rees, Simon, Adelaide Biennial of Australian Art exhibition catalogue, AGSA, 2004
Patricia Piccinini: We are Family, BT, Vol. 56, no. 845, pp 15-17
Bec, Luis, The Demonstrous, Monsters, Ghosts and Aliens: The politics of representation in the digital era, F. Javier Pascual, Madrid, 2004, p 60
Bourke, Gregory, Bloom: Mutation,Toxicity and the Sublime (exhibition catalogue), Govett Brewster Art Gallery, 2004
Ted Snell, Repercussions, Greenaway Gallery, SA, Artlink, 38200, P 77
Crisp, Lyndall, Freaks of Nature, Financial Review Weekend, 29-30 May 2004, p. 35
Israel, Glenis, Senior Artwise 2: Visual Arts 11-12, Jacaranda, 2004, pp. 193-201
Eisenmann-Klein, Marita, Reconstruction and updating in plastic surgery in 'UmBauhaus: Updating Modernism', Jovis Verlag, Berlin, 2004, p. 56
Glass, Alexie & Tutton, Sarah, I thought I knew but I was wrong: New video art from Australia (exhibition catalogue), Asialink / ACMI, Melbourne, 2004
Gibson, Ross, Written with Darkness (exhibition catalogue), University of Technology, Sydney
Lovelace, Carey, Flesh & Feminism, Ms., Spring 2004, pp. 65-69
Palmer, Daniel, Medium Without a Memory: Australian Video Art in 'I thought I knew but I was wrong', Asialink / ACMI, Melbourne, 2004
Piccinini, Patricia, We are Family Lecture, Hara Museum Review, No 64, Spring 2004, pp. 6-7
Plant, Simon, Art Breaking, Herald Sun Weekend, 38115, pp.6-7
Rhodes, Kate, Patricia Piccinini's Desert Rider (Mountain), Art Bulletin of Victoria, Australia, No 44, 2004, pp. 90-91
Villaca, Nizia, The Multiplication of Bodies in Artistic Communication in 'Metacorpos' (exhibition catalogue), Paco das Artes,Brasil, 2004, pp 56-7, 64-5, 100, 142
Anderson, Karen, Monstrorum Historia: Biotech and Teriomorphism, Cluster, No. 4, 2004, pp. 144-151
Vielhaber, Christiane, Junge Kunst ruckt nach vorn, Das Kunst Magazin, Vol. 11, 2004, p. 209
2003
Wertheim, Margaret & Christine, Teratology in 'Patricia Piccinini: We Are Family' (Linda Michael, Ed), Australia Council, 2003
Smith, Jason, Patricia Piccinini: Sandman (exhibition catalogue), National Gallery of Victoria, Melbourne, 2003
Antony, Rachael, We Are Family: Art by Patricia Piccinini, The Big Issue, no. 179, 9-24 June 2003, p. 11
Block, Andrew, Arts: Bizarre Beasts, Qantas, no. 115, January 2003, p. 61
Boyd, Chris, Visions of a Strange New World, The Weekend Australian Financial Review
Clifford, Andrew, Attack of the Clones, The Sunday Star Times, New Zealand, 37983, p. 22
Crawford, Ashley, Patricia Piccinini in 'see here now, Vizard Foundation Art Collection of the 1990s' (exhibition catalogue), The Ian Potter Museum of Art, Melbourne, 2003, pp. 108-109
Eccles, Jeremy, For the Love of Her Art, The Canberra Times, 37765, pp. 6-7
Fortescue, Elisabeth, Meeting a boy who isn't there, The Daily Telegraph, 18-Aug-2003, p. 34
Foster, Alasdair, Interview: Patricia Piccinini, Photofile, no. 68, April 2003, pp. 18-23
Glass, Alexie, Patricia Piccinini, res, March-April 2003, p. 43
Kinsman, Chloe, Patricia Piccinini (interview), tema celeste contemporary art, no. 98, pp. 58-61
Patricia Piccinini in 'Havana Biennale 2003' (exhibition catalogue), Centre for Contemporary Art, Havana, 2003, pp. 180, 340-341
Lynn, Victoria, Patricia Piccinini in 'Face Up: Contemporary Art from Australia' (exhibition catalogue), Kantz, Berlin, Germany, 2003
McDonald Crowley, Amanda, Creative Encounters: The Art/Science of Collaboration, Sarai Reader, 44230, pp. 227-235
Michael, Linda, Patricia Piccinini: Still life with Stem Cells in 'Monash University Collection: Three Decades of Collecting', Monash University Museum of Art, Melbourne, 2003, p. 113
Michael, Linda, Love Me Love My Lump: Patricia Piccinini Photographs (exhibition catalogue), Monash University Museum of Art, Melbourne, 2003
Smith, Bernard, Patricia Piccinini in 'Two Centuries of Australian Art', Thames and Hudson, Victoria, 2003, p.162
Carroll, Alison, Sun Gazing: The Australia-Japan Art Exhibitions Touring program 2002-2004, The Asialink Centre, The University of Melbourne, 2004
McAuliffe, Chris, and Harvey, Sue, see here now: Visard Foundation Art Collection of the 1990s, Thames and Hudson, Victoria, 2003, pp. 108-109
Strickland, Katrina, Mother Love, The Weekend Australian, 2-4 May 2003, pp. 14-17
Woodcock, Ben, Freak Show, State of the Arts, pp. 89-90
Fitzgerald, Michael, Driving out Demons, Time (Pacific), 01-Jul-2003, pp. 62-64.
Genocchio, Benjamin, Genetically Modified Sculpture, The Australian, 11-12 January 2003, Review p. 21
Genocchio, Benjamin, Piccinini and friends carve out a name in Venice, The Australian, 14-15 June 2003, p. 3
Gill, Raymond, Family Values, The Age, 14-Jun-2003, A3 p. 12
Hill, Peter, The Artist & Her Offspring, The Sydney Morning Herald, 25-26 January 2003, Spectrum pp. 6-7
Hutak, Michael, The Far-out Pavilion, The Bulletin, 25-Jun-2003, p. 75
Ingram, Terry, Happy as a pig in Venice: Piccinini parties to celebrate success, The Australian Financial Review, 27-Jun-2003, p. 43
Lethbridge, Brett, Beauty Beyond Bizarre, The Courier-Mail, 15-Jun-2003, p. 30
Naylor, Stephen, Feeling the heat at the 50th Venice Biennale, Art Monthly Australia, no. 161, July 2003, pp. 34-39
Nelson, Robert, Clever Technology, Serious Questions', The Age, 05-Jan-2003, Arts p. 17
Rees, Simon, Patricia Piccinini at ACCA, Flash Art, May-June 2003, p. 84
Turner, Jonathan, Alien Nation, ARTnews, vol. 102, no. 8, September 2003, p. 107
Lindinger, Verlag and Schmid, Uncompromising Mindset, Kunst Jahr 2003, 2003, p. 26, 28
2002
Kent, Rachel (ed), Call of the Wild: Patricia Piccinini (exhibition catalogue), Museum of Contemporary Art, Sydney, 2002
Engberg, Juliana, Patricia Piccinini in '(The world may be) fantastic' Ewen McDonald (ed.) (exhibition catalogue), Biennale of Sydney, 2002
Rowell, Amanda, Autoerotic (exhibition catalogue), Roslyn Oxley9 Gallery, Sydney, 2002
Engberg, Juliana, Retrospectology: The World According to Patricia Piccinini (exhibition catalogue), ACCA, Melbourne, 2002
Smith, Jason, Sandman: Patricia Piccinini (exhibition catalogue), National Gallery of Victoria, Melbourne, 2002
Barragan, Paco, Patricia Piccinini in 'El Arte Que Viene (The Art to Come)', Subastas Siglo, Madrid, 2002, p. 236
Faulkner, Jane, Patricia in Wonderland, The Age, 28-Nov-2002, p. 13
Foster, Alasdair, Patricia Piccinini in 'Blink: 100 photographers 010 curators 010 writers', London: Phaidon Press, 2002, pp. 300-304
Greenstein, M. A., Arte o Baño del sol, Lapiz, no. 179/180, 2002, p. 136
McLean, Sandra, When Push Becomes Shove, The Courier Mail, 28-Jul-2002, p. 2
Michael, Linda, Love Me Love My Lump, The Diplomat, December 2002 - January 2003, pp. 45-46
Millner, Jacqueline, Love in the Time of Intelligent Machines, Artlink, Vol 21 no 4, 2002, p. 42-47
Palmer, Daniel, Patricia Piccinini, Frieze: Contemporary Art and Culture, Issue 65, 2002, p. 93-94
Papastergiadis, Nikos, One Night Love, Object, no. 39, pp. 50-52
Piccinini, Patricia, Life in the Media Landscape in 'Prefiguring Cyberculture: An Intellectual History', Power Publications, University of Sydney, 2002, p. 202-203_
Bennet, Oliver, The quality of Mersey: Liverpool Biennale/International 2002, The Observer, UK, 16-Sep-2000
Green, Charles, Patricia Piccinini, Artforum, 44318, p. 194
Hill, Peter, Weird Science, The Sydney Morning Herald, 30 August-5 September 2002, Metro p. 26
Hynes, Victoria, Driven, The Sydney Morning Herald, 24-30 May 2002
McLean, Sandra, When Push Becomes Shove, The Courier Mail, 28-Jul-2002, p. 2
Millner, Jacqueline, Storytelling, Eyeline, no. 49, Spring 2002, pp. 30-32
Toffoletti, Kim, Patricia Piccinini; Lumps and Stem Cells, Eyeline, no. 50, Summer 2002/2003, p. 47
2001
Michael, Linda, One Night Love (exhibition catalogue), Tolarno Galleries, Melbourne
Hennessey, Peter, Patricia Piccinini: Installations in 'What is Installation? An Anthology of Writings on Australian Installation Art', Power Publications, Sydney, 2001, p. 301
Hutak, Michael, Perfect Planet, Professionally Reproduced, Australian Art Collector, Issue 18, October 2001, p. 65
McDonald, Helen, Erotic Ambiguities: The Female Nude in Art, Routledge, London, 2001, pp. 200-204
Crawford, Ashley, Contemporary Australian Art, An Odd Creature from Down Under, Art and Australia ARCO insert, Vol 37, no. 2, 2001, p. 2
Lancashire, Rebecca, Piccinini's Monsters, The Age, 37037, Extra p. 3
McCulloch-Uehlin, Susan, Virtual Visions, The Australian, 28-Oct-2001, Arts p. 9
Travis, Lara, Vivid Vehicles of Delight for Lovers of One Night, The Age, 28-Oct-2001, p. 22
Webb, Caroline, Young Collectables, The Age, 37037, Today p. 1
2000
Engberg, Juliana, Essay in 'Atmosphere/Autosphere/Biosphere: Works by Patricia Piccinini', Drome, Melbourne, 2000
Colless, Edward, Essay in 'Atmosphere/Autosphere/Biosphere: Works by Patricia Piccinini', Drome, Melbourne, 2000
Yamagata, Hiroo, Essay in 'Atmosphere/Autosphere/Biosphere: Works by Patricia Piccinini', Drome, Melbourne, 2000
Leggett, Mike, Patricia Piccinini, Photofile, no. 60, August 2000, p. 8-11
Miki, Akiko, Very New Art 2000: 100 Artists, BT Art Magazine, vol. 52, no. 782, January 2000, p. 188-189
Millner, Jacqueline, Afterword: Perspective on Perspecta in Martin Thomas (ed.) 'uncertain ground', Art Gallery of New South Wales, Sydney, 2000, p. 170
Pennings, Mark, Enchantment, Technoscience and Desire, Art and Australia, vol. 37, no. 4, 2000, pp. 556-565
Murphy, Bernice, Patricia Piccinini in Zeitgeössische Fotokunst Aus Australien, Braus im Wachter Verlag, Heidleberg, Germany, 2000, pp. 26-31
Australia's 50 Most Collectable Artists, Australian Art Collector, Issue 11, January 2000, p. 84
Genocchio, Benjamin, Reality Check via Plastic Bimbo, The Weekend Australian, 06-Aug-2000, Review p. 18
Hoffman, Frank, Report from Kwangju: Monoculture and its Discontents, Art in America, Nov-00, p. 74
Hong-Hee, Kim, Kwangju Biennial, Flash Art, Summer 2000, p. 100
James, Bruce, I'll have what she's having, The Sydney Morning Herald, 03-Feb-2000, Arts p. 12
Scarff, Julian, Probe, Art Asia Pacific, Issue 27, 2000, pp. 28-30
1999
Engberg, Juliana, Essay in 'Signs of Life: Melbourne International Biennial' (exhibition catalogue), City of Melbourne, 1999
Hatanaka, Minoru, Plasticology, InterCommunication, no. 29, Summer 1999, p. 189
Stanhope, Zara, The Persistence of Pop (exhibition catalogue), Monash University Gallery, Melbourne, 1999
Sun-Hee, Kim, A Window Inside Outside (exhibition catalogue), Gwangju City Art Museum, Korea, 1999
Williamson, Clare, Digitalis Australis, History of Photography, no. 2, vol. 23, Summer 1999, pp. 107-113
Clabburn, Anna, Baby Trucks Dump on Mass Consumption, The Age, 18-Mar-1999, Arts p. 17
Colless, Edward, Patricia Piccinini, Art + Text, no. 66, October 1999, p. 79-80
Frost, Andrew, Australia' s 50 Most Collectable Artists, Australian Art Collector, no. 7, 1999, p. 50
Sinclair, Jenny, Oh Baby, It's a Truck! , The Age, 17-Mar-1999, IT p. 2
Taylor, Kerry, Artist's Infatuation with a Baby Beast, The Age, 16-Mar-1999, News p. 7
1998
Hennessey, Peter, Essay in 'Sacred and Profane' (exhibition catalogue), 1998 Adelaide Festival Visual Arts Program, 1998
Sansom, Gareth, The Long and Winding Road in 'Up the Road: Contemporary Artists out of the Victorian College of the Arts', ACCA, Melbourne, 1998
Geczy, Adam, Australian Perspecta, Eyeline, no. 35, Summer, 1998, p. 40
Riley, Vikki, Machine Translations & Other Digital Heresies, Photofile, no. 53, April 1998, pp. 58-61
1997
Pennings, Mark, Art = Advertising (exhibition catalogue), Robert Lindsay Gallery, Melbourne, 1997
Hennessey, Peter, Plastic Realist in Blair French (ed.) 'Photo Files: An Australian Photography Reader', Power Institute and ACP, Sydney, 1999, pp. 247-254
Burne, Philippa, Up the Garden Path, HQ Magazine, no. 54, Sept 1997, p. 23
Johnson, Anna, Young at Art, Good Weekend, 35546, p. 36
Uemura, Hisashi, LUMP, Gap Magazine, 35704, pp. 105-107
Maloney, Evan, Consuming Art, Art Monthly, no. 99, May 1997, p. 17
Rooney, Robert, Arts on Friday: Art=Advertising, The Australian, 15-Mar-1997, p. 12
1996
Hennessey, Peter and Gregory, Chris, Patricia Piccinini: Your Time Starts Now... (exhibition brochure), Contemporary Art Centre of South Australia, 1996
Schubert, Robert, Patricia Piccinini: Fetal Futures, Art + Text, no. 54, May 1996, pp. 33-35
Clabburn, Anna, There's Something in Nothing Natural, Mesh, no. 8/9, Autumn 1996, pp. 27-28
Cooper, Jackie, Natural Born Artist, The Australian, 02-Dec-1996, p.36
Hill, Peter, Cameras, Lies and Photographic Exhibits, The Bulletin, 18-Sep-1996, p. 100
Honeysett, Stuart, Computer Art a Child of Invention, The Australian, 35199, p. 7
McFarlane, Robert, Looking to the Future, The Sydney Morning Herald, 29-Aug-1996, p. 11
Owen, Kristin and Simon Plant, Bubbly Prospects, Herald Sun, 10-Feb-1996, p. 33
Pennings, Mark, Patricia Piccinini: Your Time Starts Now..., Eyeline, Summer 1996, p. 34
Rooney, Robert, Melbourne Art, The Australian, 35209, p. 18
Rooney, Robert, Möet & Chandon Touring Exhibition, The Australian, 24-Feb-1996, p. 13
Stanhope, Zara, Mapping the Code: Artists Conceiving Data-bodies, Mesh, no. 8/9, Autumn 1996, pp. 16-17
1995
Kent, Rachel, Alternative Realities: Australian Artists Working with Technology (exhibition catalogue), Ian Potter Gallery, University of Melbourne, 1995
Latham, Mary Ann, Inside Out: An Interview with Patricia Piccinini, Aedon, Dec-95
Stanhope, Zara, Technothelylogia: Technology of and by Women (exhibition catalogue), Monash University Gallery, Melbourne, 1995
Cookes, Thomas, Multimedia Spawns Art, The Age, 13-Jul-1995, p. 21
Gibson, Tom, Patricia Piccinini, Art + Text, no. 50, January 1995, p. 66
McKenzie, Robyn, Hi-Tech Art Flows into the Mainstream, The Age, 27-Jul-1995, p. 23
1994
Hennessey, Peter, Patricia Piccinini: Indivisibles (exhibition brochure), The Basement Project, Melbourne, 1994
Gregory, Chris, Indivisibles, Eyeline, Spring 1994, pp. 42-43
Marsh, Anne, City Theme Rules, Herald Sun, 34471, p. 47
Storey, Rohan, The City Screen, Monument, vol. 1 no. 2, 1994, p. 64
Teffer, Nicola, Body with Organs, Photofile, no. 42, June 1994, pp. 6-7
1993
Barren, Sonia, Pushing the Limits of Acceptability, The Canberra Times, 18-Feb-1993, p. 25
1991
Hawker, Rosemary, Heretical Gestures at the Birth of Enlightenment, Eyeline, no. 15, 1991, pp. 16-20
Jones, Mathew, The Body Dis-corporate: Patricia Piccinini, Agenda, no. 20/21, November 1991, p. 18
Thompson, Kerstin, Charles Williams Gallery, Transition, no. 36/37, Summer 1991, pp. 172-17
2014
Lifetime Acheivement Award, Melbourne Art Foundation
2006
New York Residency, Australia Council
2002
International Cultural Exchange Program, Arts Victoria
2000
New Media Fellowship, Australia Council
1999
Arts Development grant, Arts Victoria
1998
Tokyo Residency, Australia Council
1997
Project Grant, Australia Council
International Cultural Exchange Program, Arts Victoria
1996
Project Grant, Arts Victoria
1991
Christopher James Blyth Memorial Award, Victorian College of the Arts
1990
Theodore Urbach Award, Victorian College of the Arts
1989
Theodore Urbach Award, Victorian College of the Arts
Selected Public Collections
National Museum of Women in the Arts, Washington DC, USA
Thomas Olbricht Collection, Berlin, Germany
The Vehbi Koç Foundation, Istanbul, Turkey
Weatherspoon Art Museum, North Carolina, USA
Pheonix Art Museum, Arizona, USA
Middelheim Museum, Antwerp, Belgium
21C Museum, Louisville, Kentucky, USA
National Gallery of Australia, Canberra, Australia
National Gallery of Victoria, Melbourne, Australia
Art Gallery of New South Wales, Sydney, Australia
Queensland Art Gallery, Brisbane, Australia
Art Gallery of South Australia, Adelaide, Australia
Monash University, Victoria, Australia
Newcatle Region Art Gallery, New South Wales, Australia
The University of Melbourne, Victoria, Australia
Griffith University, Queensland, Australia
Waverley City Gallery, Melbourne, Australia
Bendigo Art Gallery, Victoria, Australia
Parliament House, Canberra, Australia
Created Thu, 01 Jun 2023 22:00:06 +0000