Speculative Fabulations for Technoculture's Generations
Donna Haraway

The Naturally Artificial World
Laura Fernandez Orgaz and Patricia Piccinini

In Another Life
Patricia Piccinini

Border Patrol
Stella Brennan

Bodyguard
Patricia Piccinini

Public Lecture - Tokyo Art University
Patricia Piccinini

Sandman
Patricia Piccinini

Patricia Piccinini's Offspring
Peter Hennessey

Fast forward: accelerated evolution
Rachel Kent

Still Life With Stem Cells
Patricia Piccinini

Modified Terrain
Mark Feary

One Night Love
Nikos Papastergiadis

Autoerotic
Amanda Rowell

Biography
Drome

One Night Love
Linda Michael

Atmosphere
Juliana Engberg

Biopshere
Edward Colless

Patricia Piccinini: Ethical Aesthetics
Jacqueline Millner

Interview with Patricia Piccinini and Peter Hennessey
Daniel Palmer

Patricia Piccinini - Installations
Peter Hennessey

The NESS Project and the Birth of Truck Babies
Hiroo Yamagata

Plastic Life: Patricia Piccinini & Christopher Langton
Jacqueline Millner

Swell Artist Statement
Patricia Piccinini

Artist Statement
Patricia Piccinini

Breathing Room Artist Statement
Patricia Piccinini

Truck Babies Artist Statement
Patricia Piccinini

Still Life With Stem Cells

Biennale of Sydney
by Patricia Piccinini (2002)

Last year I saw one of those extraordinary things, which reminds me that what I make is not so strange or far-fetched. As usual it was in a petri dish. This petri dish contained a small layer of cells, a thin skin of biological matter that was pulsating to rapid but steady rhythm. This was the first time that I had really seen stem cells. These ones had been differentiated into heart cells and they were doing what heart cells do; beating - flatly, geometrically, pointlessly.

Stems cells are base cellular matter before it is differentiated into specific kinds of cells like skin, liver, bone or brain. Pure unexpressed potential, they contain the possibility for transformation into anything. They are the basic data format of the organic world. Like digital data, their specificity lies in that, while they are intrinsically nothing, they can become anything. They are biomatter for the digital age.

I am interested in how this changes our idea of the body. Already our understanding of the human genome leads us to imagine that we understand the construction of the body at its most intimate level; the stem cell provides us with a generic, plastic material from which we can construct it. In the last ten years, the body has gone from something that is uniquely produced to something that can be reproduced.

This transformation has already occurred, with very little fuss given its magnitude. The question of whether this is a good or a bad thing is both too simplistic and a little academic. As with so much of this biotechnology, the extraordinary has already become the ordinary. The real question is 'what are we going to do with it'. Still life with Stem Cells is one possible answer.

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